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EXHIBITIONS
  • CALL FOR ENTRIES SHOWS
  • ART CALENDAR
  • SUMMER SALON
  • KARA MORRISON
  • ORNITHOLOGY
  • ENCHANTED DESOLATION
  • CUT N PASTE COLLAGE
  • INGE TERKILDSEN
  • SPRING SALON
  • CAPTURE PHOTOGRAPHY
  • FRAGMENTED FABRICS
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  • JILL BRAILSFORD
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    • CALL FOR ENTRIES SHOWS
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    • SUMMER SALON
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    • ENCHANTED DESOLATION
    • CUT N PASTE COLLAGE
    • INGE TERKILDSEN
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  • Home
  • EXHIBITIONS
    • CALL FOR ENTRIES SHOWS
    • ART CALENDAR
    • SUMMER SALON
    • KARA MORRISON
    • ORNITHOLOGY
    • ENCHANTED DESOLATION
    • CUT N PASTE COLLAGE
    • INGE TERKILDSEN
    • SPRING SALON
    • CAPTURE PHOTOGRAPHY
    • FRAGMENTED FABRICS
    • STILL LIFE
    • MEDLEY
    • JILL BRAILSFORD
    • CATHY SOFARNOS
    • SUPERIMPOSED
    • LOCAL ICONS
    • STEPHEN GLOVER
    • GINA MILLER
    • WORKS ON PAPER
    • GONE GREEN GROUP SHOW
    • SUMMER SALON
    • UNFRAMED
    • JACQUELINE CHRISTIANS
    • LIBERTY FINN
    • TRACEY ROBERTS
    • KELLY KONDIS
    • PRUE CROME
    • SPRING SALON
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    • 40 x 40 GROUP SHOW
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Prue Crome

Colour Fields

Prue Crome’s large colour field paintings are inspired by the atmospherics of light to expand and contract space.

Philosophically Crome’s thoughts reside around metaphysical concerns of transience and the ephemerality of each moment. Being in the moment, with no cultural construct and non-derivative, is central to her work, to enable the viewer to have a direct sensory experience rather than a cerebral one. Whilst studying for her MFA she became enthralled with space and light and investigating the conditions that alter one’s perception, with a focus on immersive installations. The whole-body experience is where her passion lies, hence the scale of her works.

Light is her primary focus and colour is used to shift the balance and scale to create immersive abstract colour fields. Colour choice and placement are intuitive and sometimes influenced by sunsets and storm events witnessed from her hilltop in the Dandenong Ranges east of Melbourne. The layering of pigments attempts to capture the allusive nature of light and depth perception on a thin surface. She uses oils for their luminous and lustrous qualities and their slow drying allows for blending and blurring of the layers. Gestural marks are minimised though the energy of blending is imbedded in the works.

About the artist

My background is in the environmental sciences, industrial design, graphics and sculpture. Solo and group exhibitions in Cairns, Brisbane, Singapore, Hamburg, Melbourne and residencies in Yokohama and Melbourne.

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EXHIBITION CATALOGUE

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Up Gallery acknowledges the Wurundjeri  People of the Kulin Nation, who are the Traditional Custodians of the land upon which we gather to share art and creative community,. We acknowledge Aboriginal connection to creative practice on these lands for more than 65,000 years and pay our respects to their Elders past and present.

Up Gallery is an artists run initiative as a not for profit association UP ARTISANS INC. A0122250U ABN 53452638663


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